Without Pins is the title of my Patchwork classes. I am a Quilter, textile teacher and general fabric collector - or does it come and find me? I like to play with colour and subvert pattern by the use of tone. I have always sewn and stitch something, somewhere, every day.
Monday, 12 September 2016
Modern versus Contemporary Quiltmaking
I've belonged to the Quilters Guild Contemporary Group for a long time, and have been part of the setup of the new Modern Group.
I would class my Contemporary work as Art. It involves a great deal of mind as well as method.
I made a piece for the Stretching Art Challenge in America called Illuminated Letters and this is what I wrote about it for the submission.
Stretching Art Challenge 16 Illuminated Letters
SAT16: Hidden by Heather Hasthorpe http://www.stretchingartandtradition.org/SAT16/H2-1.html
Artist: Heather Hasthorpe, Norfolk, UK
Letter H Half-Understood
I made a sketchbook based on books and writing for The Sketchbook Challenge and spent a lot of time considering how meaning is conveyed through text and imagery. I have now collected a variety of printed text in different languages, most of which I cannot read! I am using these partly for their value as pattern, but also holding in mind that the meaning is obscured both by my lack of knowledge, and the fracturing that the technique produces.
I am using an image transfer method I first saw at Houston being demonstrated by Claire Benn, which I have further explored and developed following workshops with Christine Chester. I have screen printed medium to attach papers to fabric, using thermofax screens.